Why I use hardware to write Techno.

“Each of my machines is an instrument that is played and jammed with just like any other instrument. I just can’t get that same feeling when sitting in front of a computer.”

17 Sep 2017 | Music | 0 comments

Writing & Playing Techno.

Basically it comes down to playing the flow of Techno rather than constructing Techno in an interrupted, disjointed and separated mess. Each of my machines is an instrument that is played and jammed with just like any other instrument. I just can’t get that same feeling when sitting in front of a computer.

The other thing that steers me away from using a computer is the short upgrade cycle and compatibility issues. The never ending headaches that come from software becoming unstable after every Operating System upgrade and then the hardware issues that come from manufacturers that decide to remove ports or change ports which leave many people pulling their hair out (I am looking at you Apple).

I am still using hardware that I bought over 15 years ago to write and play Techno and I expect that I will still have these machines after another 15 years. Just consider the old Roland 303, 909 or 808, if you can find one for sale, it is worth a lot of money and still very useful after all these years. I can’t say the same for previous laptops I have owned. My change to using Apple computers has been much better than the Windows computers I used 20 years ago, but, they are still a headache and I have little respect for Apple regardless. So I aint no Apple fanboy thats for sure. I just try and get the best and most reliable tool for the job. There is no loyalty from me to either Apple or Microsoft, I just don’t trust them.

When I first started writing and playing Techno I had every intention of staying strictly in a hardware environment. Cost and portability has limited my expansion in this original direction. However, I do find the use of the computer as very handy for creating my Live mixing environment even if I cringe every time I play and experience the usual crashes or glitches. I have learnt how far I can push a computer on stage and how much load it can take, so the glitches are getting rare and reliability is improving. Still, the computer is nowhere near as reliable as pure dedicated hardware.

I also hear that folks say things like, “Hardware has too many limitations” and other such perspectives. I don’t see that at all. As I follow and understand the genre of Techno I have never found any limitations with the hardware I use. The limitations have always been in my own head, my own knowledge and abilities. I find that I can do the same production techniques used in a computer only environment. When I learn and understand a particular technique I then work it out on the machines.

Here is one of my latest Live recordings for you to chew on. This one was played Live, on the fly, using the Korg Electribe EMX-1. I have had this machine since 2005 and although I have found it the most challenging machine to learn, I feel I am now able to get the type of sounds I like. It is not a sampler and so I find the fixed sound library to be the challenge when it comes to Techno. I just had to accept what it is and focus on that rather than what it is not.

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The Next Wave.

The journey continues as a new wave of technology and mixing techniques bursts onto the scene which provides musical creativity in a live sense that was never before possible. The next wave is about to break!
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